MESSIAH PART II: 44 HALLELUJAH [CHRISTIAN SONG OF THE MONTH ~ DECEMBER 2014]

            I chose Handel’s Messiah Part II: 44 Hallelujah, as the Christian Song of the month, as it is Christmas Day. 

PHOTO SOURCE: http://shesaprettygoodchristian.com/2012/12/24/what-is-this-thing-we-call-christmas/

Christmas Prayer from the 1662 Book of Common Prayer:

Almighty God, who hast given us thy only-begotten Son to take our nature upon him, and as at this time to be born of a pure Virgin; Grant that we being regenerate, and made thy children by adoption and grace, may daily be renewed by thy Holy Spirit; through the same our Lord Jesus Christ, who liveth and reigneth with thee and the same Spirit, one God, world without end. Amen.

INTERNET SOURCE: http://en.wikipedia.org/wiki/Messiah_Part_II#44

44

Hallelujah

Part II closes with the chorus "Hallelujah", in the key of D major with trumpets and timpani. This chorus is often performed out of context, especially around Christmas and Easter. The choir introduces in homophony a characteristic simple motif on the word, playing with the interval of a second, which re-appears throughout the piece. Several lines from the Book of Revelation (Revelation 19:6,16, Revelation 11:15) are treated differently, as in a motet, but unified by "Hallelujah" as a conclusion or as a countersubject in a fugal section. The line "for the Lord God omnipotent reigneth" is sung by all voices, first in unison, then in imitation with Hallelujah-exclamations interspersed. The second line "The kingdom of this world is become" is sung in a four part setting like a chorale. The third idea "and he shall reign for ever and ever" starts as a fugue on a theme with bold leaps, reminiscent in sequence of Philipp Nicolai's Lutheran chorale Wachet auf. As a countersubject, the words "for ever – and ever" assume the rhythm of the Hallelujah-motif. The final acclamation "King of Kings...and Lord of Lords" is sung on one note, energized by repeated calls "Hallelujah" and "for ever – and ever", raised higher and higher (the sopranos and the trumpets part), up to a rest full of tension and a final solemn "Hallelujah".

In many parts of the world, it is the accepted practice for the audience to stand for this section of the performance. The tradition is said to have originated with the first London performance of Messiah, which was attended by King George II. As the first notes of the triumphant Hallelujah Chorus rang out, the king was so moved that he rose to his feet and remained standing until the end of the chorus. Royal protocol has always dictated that when the monarch stands, everyone in the monarch's presence is also required to stand. Thus, the entire audience and orchestra stood when the king stood during the performance, initiating a tradition that has lasted more than two centuries.

There is another story told about this chorus that Handel's assistant walked in to Handel's room after shouting to him for several minutes with no response. The assistant reportedly found Handel in tears, and when asked what was wrong, Handel held up the score to this movement and said, "I thought I saw the face of God."

"Adoration of the Shepherds" by Gerard van Honthorst, 1622

INTERNET SOURCE: http://www.metrolyrics.com/44-chorus-hallelujah-lyrics-handel-george-frideric.html?ModPagespeed=noscript

44. 

Chorus: Hallelujah! Lyrics 

Hallelujah (Aleluya)
Written by George Friedrich Haandel

Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah

For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah

Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah

For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah

The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ

And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever

King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords

And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever

King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever

King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever

Forever and ever and ever and ever
(King of kings and lord of lords)

Hallelujah hallelujah hallelujah hallelujah
Hallelujah

Windberg abbey church (Lower Bavaria). Rococo frescos (1755) at the ceiling by Franz Xaver Merz: Annunciation to the shepherds. Slightly cropped and rotated version of file already at Commons

PLEASE SEE THIS VIDEO TO HEAR THE SONG:

Royal Choral Society: 'Hallelujah Chorus' from Handel's Messiah

Published on Apr 23, 2012

The Royal Choral Society has performed Handel's Messiah on Good Friday at the Royal Albert Hall every year since 1878. The RCS filmed their performance on 6 April 2012 by kind permission of the Royal Albert Hall and the Royal Philharmonic Orchestra. This clip features the glorious Hallelujah Chorus. For further information on forthcoming RCS concerts please see www.royalchoralsociety.co.uk.

VIDEO SOURCE: https://www.youtube.com/watch?v=IUZEtVbJT5c